ABSTRACT

The Routledge Handbook of Reenactment Studies provides the first overview of significant concepts within reenactment studies. The volume includes a co-authored critical introduction and a comprehensive compilation of key term entries contributed by leading reenactment scholars from Europe, North America, and Australia. Well into the future, this wide-ranging reference work will inform and shape the thinking of researchers, teachers, and students of history and heritage and memory studies, as well as cultural studies, film, theater and performance studies, dance, art history, museum studies, literary criticism, musicology, and anthropology.

chapter |10 pages

Introduction: What is reenactment studies?

ByVanessa Agnew, Jonathan Lamb, Juliane Tomann

chapter 1|5 pages

Archive

ByElizabeth Haines

chapter 2|4 pages

Art

ByStéphanie Benzaquen-Gautier

chapter 3|5 pages

Authenticity

ByVanessa Agnew, Juliane Tomann

chapter 4|5 pages

Battle

ByMads Daugbjerg

chapter 5|4 pages

Body and embodiment

ByAmanda Card

chapter 6|5 pages

Conjecture

ByJonathan Lamb

chapter 7|5 pages

Corroboration

ByJonathan Lamb

chapter 8|5 pages

Dark tourism

ByVanessa Agnew

chapter 9|4 pages

Documentary

ByStella Bruzzi

chapter 10|4 pages

Emotion

ByJuliane Brauer, Martin Lücke

chapter 11|6 pages

Evidence

ByPaul Pickering

chapter 12|4 pages

Experience

ByAnja Schwarz

chapter 13|7 pages

Experimental archaeology

ByGunter Schöbel

chapter 14|5 pages

Expertise and amateurism

ByAnne Brædder

chapter 15|5 pages

Forensic architecture

ByFabrizio Gallanti

chapter 16|5 pages

Gaming

ByPieter Van den Heede

chapter 17|5 pages

Gender

ByStacy Holman Jones

chapter 18|3 pages

Gesture

ByJonathan Lamb

chapter 19|3 pages

Hajj

ByMaryam Palizban

chapter 20|6 pages

Heritage

ByJulie Park

chapter 21|5 pages

Historically informed performance

ByKate Bowan

chapter 22|4 pages

History of the field

ByUlf Otto

chapter 23|5 pages

Indigeneity

ByPenny Edmonds

chapter 24|5 pages

Living history

ByDavid Dean

chapter 25|5 pages

Martyrdom

ByMartin Treml

chapter 26|3 pages

Material culture

ByStefanie Samida

chapter 27|5 pages

Mediality

ByMaria Muhle

chapter 28|4 pages

Memory and commemoration

ByJuliane Tomann

chapter 29|5 pages

Mimesis

ByKader Konuk

chapter 30|4 pages

Mitzvah and memorialization

ByRick Hilles

chapter 31|5 pages

Narrative

ByInke Arns

chapter 32|4 pages

Nostalgia

ByJonathan D. S. Schroeder

chapter 33|3 pages

Objects

ByKatrina Schlunke

chapter 34|6 pages

Pageant

ByAmy M. Tyson

chapter 35|4 pages

Performance and performativity

ByKatherine Johnson

chapter 36|5 pages

Pilgrimage

ByKamila Baraniecka-Olszewska

chapter 37|5 pages

Play

ByRobbert-Jan Adriaansen

chapter 38|4 pages

Practices of authenticity

ByStephen Gapps

chapter 39|4 pages

Practices of reenactment

ByAlexander Cook

chapter 40|4 pages

Production of historical meaning

ByScott Magelssen

chapter 41|3 pages

Realism

ByJonathan Lamb

chapter 42|4 pages

Representation

ByInke Arns

chapter 43|4 pages

Ritual

ByAnja Dreschke

chapter 44|4 pages

Role-play

ByStephen Gapps

chapter 45|3 pages

Sublime

ByJonathan Lamb

chapter 46|6 pages

Suffering

ByVanessa Agnew

chapter 47|5 pages

Trauma

ByNena Močnik