ABSTRACT

This companion is the first study of caste and its representation in Indian cinema. It unravels the multiple layers of caste that feature directly and indirectly in Indian movies, to examine not only the many ways caste pervades Indian society and culture but also how the struggle against it adopts multiple strategies.

The companion:

• Critiques Indian cinema production through the lens of anti-caste discourse;

• Traces the history of films beginning from the early twentieth century, focusing on caste representations across India, including Hindi, Malayalam, Kannada, Marathi, Bengali, Punjabi, Tamil as well as silent films;

•  Makes a foray into OTT media;

•  Includes analysis of popular films such as Padmaavat, Masaan, Fandry, Sairat, Sujata, Article 15, Chomana Dudi, Lagaan, Court, Ee.Ma.Yau, Kaala, Pariyerum Perumal, Perariyathavar, among many others, to critique and problematise the idea of caste.

 

A major intervention, this book alters traditional approaches to ‘caste’ in Indian cinemas and society and explores new political strategies implemented through cinematic creation and aesthetics. It will be indispensable for scholars and researchers of film studies, social discrimination and exclusion studies, human rights, popular culture, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history.

part |13 pages

Shifting the Gaze

part |62 pages

From Spectatorship to Agency

chapter 2|17 pages

The Oppositional Bahujan Agency

chapter 3|14 pages

To Kill or to Allow to Live

Caste Necropolitics, Ozhivudivasathe Kali, and Malayalam Cinema

chapter 4|14 pages

Magizhchi!

‘The Casteless Collective’ and the Sensorial Exscription

part |38 pages

Making the Invisible Visible

chapter 6|12 pages

Aarakshan and Article 15

Is There Any Transformation in the ‘Brahminical Gaze’?

chapter 7|12 pages

Visualising the Invisible

Decoding Caste Pride and the Casteist Slur in Bollywood Films

part |33 pages

The Bigger Picture

chapter 8|15 pages

Over-the-Top

Online Media and the Transnational Travels of Caste

chapter 9|16 pages

Indian Cinema, Hunger, and Food

Family, Class, and Caste

part |52 pages

Caste and Gender

chapter 10|12 pages

Re-cast(e)ing the New Woman

Caste and Gender in Contemporary Indian Cinema

chapter 12|13 pages

P. K. Rosy and Devaki Bai

Cast(e)ing the Malayalam Silent Film Actresses

part |36 pages

Caste on Trial

chapter 15|12 pages

The Constitution of/and Caste

Portrayal of Caste and Legal Justice in Three Contemporary Indian Films by Savarna Film-makers

chapter 16|11 pages

Beyond Violence and Non-Violence

A Study of Dalit Resistance and Accommodation in Cinematic Popular Justice

part |37 pages

The Entanglements of Caste and Nature

chapter 17|10 pages

The Caste of Nature

Wholesome Bodies and Parasites in Bimal Roy's Sujata and Gogu Shyamala's ‘A Beauteous Light’

chapter 18|11 pages

The Pig, the Black Sparrow, and the Sheep

Human–Animal Entanglements in Fandry and Khwada

chapter 19|14 pages

Landless, Homeless, and Nameless

Locating Caste in the Environmental In/Justice in Perariyathavar

part |37 pages

Not Two but Three States

chapter 21|13 pages

Alienation of the Other

Examining Marginal Narratives in Select Punjabi Films

part |89 pages

From Closer Up

chapter 23|14 pages

Exploring Caste on Screen and Beyond

A Study of Chomana Dudi

chapter 24|11 pages

Screening Caste

‘Untouchable’ Body, Labour, and Remuneration in Lagaan 1

chapter 25|11 pages

The Untouchable Rajputs of Padmaavat and Beyond

A Cas(t)e Study

chapter 27|11 pages

Beyond Narratives of Modernity, Pain, and Pathos

Dalit Aesthetic in Kabali and Kaala

chapter 28|13 pages

Caste, Coast, and Christianity in Kerala

Analysing the Visual Representation of Latin Catholics in Ee.Ma.Yau.

chapter 29|15 pages

Ellā Manusanum inga onnu illa 1

Imag(in)ing the Claustrophobia of Caste in Pariyerum Perumal 2