ABSTRACT

The Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments.

It locates these features both historically—within dance in particular social and cultural contexts—and in relation to other academic influences that have impinged on dance studies as a discipline. The editors use a thematically based approach that emphasizes that dance scholarship does not stand alone as a single entity, but is inevitably linked to other related fields, debates, and concerns. Authors from across continents have contributed chapters based on theoretical, methodological, ethnographic, and practice-based case studies, bringing together a wealth of expertise and insight to offer a study that is in-depth and wide-ranging.

Ideal for scholars and upper-level students of dance and performance studies, The Routledge Companion to Dance Studies challenges the reader to expand their knowledge of this vibrant, exciting interdisciplinary field.

part I|59 pages

Dance and corporeality

chapter 1|11 pages

Dancing the Space

Butoh and Body Weather as training for ecological consciousness
ByRosemary Candelario

chapter 3|11 pages

Different Bodies

A poetic study of dance and people with Parkinson’s
BySara Houston

chapter 4|12 pages

Resourcing/Searching Dance Technique and Education

Developing a praxeological methodology
ByYvonne Hardt

chapter 5|12 pages

The Expanding Possibilities of Dance Science

ByEmma Redding

part II|69 pages

Dance and somatics

chapter 6|17 pages

Performing the Self

Dance, somatic practices, and Alexander Technique
ByMichael Huxley

chapter 7|21 pages

Moving Kinship

Between choreography, performance, and the more-than-human
ByBeatrice Allegranti

chapter 8|16 pages

Moving as a Thought Process

The practice of choreography and stillness
ByNaomi Lefebvre Sell, Tara Silverthorn, Lucille Teppa

chapter 9|13 pages

Moving Mind and Body

Language and writings of Simone Forti
ByHiie Saumaa

part III|82 pages

Dance and analysis

chapter 10|16 pages

Choreomusicology and Dance Studies

From beginning to end?
ByJordan Stephanie

chapter 11|20 pages

Choreosonic Wearables

Creative collaborative practices
ByMichèle Danjoux

chapter 12|14 pages

The Anarchive of Contemporary Dance

Toward a topographic understanding of choreography
ByTimmy De Laet

chapter 14|14 pages

Whatever Happened to Dance Criticism?

ByErin Brannigan

part IV|62 pages

Dance, society and culture

chapter 15|13 pages

Black Dance

Brooklyn 2017
ByNadine George-Graves

chapter 16|11 pages

Elroy Josephs and the Hidden History of Black British Dance

ByRamsay Burt

chapter 17|12 pages

A love Song as a Form of Protest

ByDanielle Goldman

chapter 18|14 pages

Female Dancers on the Variety Stage in Mid-Twentieth-Century Britain

ByNicholas Larraine

chapter 19|10 pages

Selling and Giving Dance

BySusan Leigh Foster

part V|68 pages

Dance and time

chapter 20|13 pages

Traditional Dance in Urban Settings

‘Snapshots’ of Greek dance traditions in Athens
ByMaria I. Koutsouba

chapter 21|13 pages

Black Star, Other Fetishized

Carlos Acosta, ballet’s new cosmopolitanism, and desire in the age of institutional diversity
ByLester Tomé

chapter 22|12 pages

Digital Preservation of Dance, Inclusion, and Absence

BySarah Whatley

chapter 23|14 pages

Dance and Copyright

As time moves on
ByCharlotte Waelde

chapter 24|14 pages

Algorithmic Choreographies

Women whirling dervishes and dance heritage on YouTube
BySheenagh Pietrobruno

part VI|1 pages

Dance and scenography

chapter 25|12 pages

Dressing Dance–Dancing Dress

Lived experience of dress and its agency in the collaborative process
ByJessica Bugg

chapter 26|16 pages

The Scenography of Choreographing the Museum

ByJohan Stjernholm

chapter 27|15 pages

Stacking the Spine

Interdisciplinary reflections from BackStories
ByBecka McFadden

chapter 28|15 pages

Longing for the Subaltern

Subaltern historiography as choreographic tactic
ByCynthia Ling Lee

part VII|78 pages

Dance, space and place

chapter 29|15 pages

The Strangeness of Dancing

From The Changing Room and Singularity
ByCarol Brown

chapter 30|15 pages

Everyday Life and Urban Marvels

The curious aesthetics of x-times people chair
ByAlexandra Kolb

chapter 31|12 pages

Dance, Theater, and Their Post-Medium Condition

ByGerald Siegmund

chapter 32|16 pages

Re-Imagining Laban

Tradition, extinction, invention. Re-staging as creative contemporary practice
ByAlison Curtis-Jones

chapter 33|17 pages

“Dancing Through the Hard Stuff”

Repetition, resilience, and female solidarity in the landscape—Rosemary Lee’s Passage for Par
ByRosemary Lee, Ruth Pethybridge