ABSTRACT

Called by her contemporaries the "Tenth Muse," Sor Juana Inés de la Cruz (1648–1695) has continued to stir both popular and scholarly imaginations.  While generations of Mexican schoolchildren have memorized her satirical verses, only since the 1970s has her writing received consistent scholarly attention., focused on complexities of female authorship in the political, religious, and intellectual context of colonial New Spain. This volume examines those areas of scholarship that illuminate her work, including her status as an iconic figure in Latin American and Baroque letters, popular culture in Mexico and the United States, and feminism. By addressing the multiple frameworks through which to read her work, this research guide serves as a useful resource for scholars and students of the Baroque in Europe and Latin America, colonial Novohispanic religious institutions, and women’s and gender studies. The chapters are distributed across four sections that deal broadly with different aspects of Sor Juana's life and work: institutional contexts (political, economic, religious, intellectual, and legal); reception history; literary genres; and directions for future research. Each section is designed to provide the reader with a clear understanding of the current state of the research on those topics and the academic debates within each field.

chapter

Introduction

Making and unmaking myth in Sor Juana studies

chapter

A note about conventions

part I|30 pages

Contexts

chapter 1|9 pages

The empire and Mexico City

Religious, political, and social institutions of a transatlantic enterprise
ByAlejandro Cañeque

chapter 2|11 pages

The Creole intellectual project

Creating the baroque archive
ByYolanda Martínez-San Miguel

chapter 3|8 pages

The gendering of knowledge in New Spain

Enclosure, women’s education, and writing
ByStephanie Kirk

part II|87 pages

Reception history

chapter 4|7 pages

Seventeenth-century dialogues

Transatlantic readings of Sor Juana
ByMónica Díaz

chapter 5|13 pages

Readings from the seventeeth, eighteenth, and nineteenth centuries

Hagiography and nationalism
ByMartha Lilia Tenorio

chapter 6|10 pages

Twentieth-century readings

Schons, Pfandl, and Paz
ByMarie-Cécile Bénassy-Berling

chapter 7|15 pages

Passionate advocate

Sor Juana, feminisms, and sapphic loves 1
ByAmanda Powell

chapter 8|13 pages

Translations of Sor Juana Inés de la Cruz

Ideology and interpretation
ByIsabel Gómez

chapter 9|16 pages

“My original, a woman”

Copies, origins, and Sor Juana’s iconic portraits
ByJ. Vanessa Lyon

chapter 10|11 pages

Contemporary Mexican Sor Juanas

Artistic, popular, and scholarly
ByEmily Hind

part III|140 pages

Interpretations of and debates about the works

part |19 pages

A: Prose works

chapter 11|11 pages

The afterlife of a polemic

Conflicts and discoveries regarding Sor Juana’s letters
ByMarie-Cécile Bénassy-Berling

chapter 12|7 pages

Challenging theological authority

The Carta atenagórica / Crisis sobre un sermón and the Respuesta a Sor Filotea
ByGrady C. Wray

part |48 pages

B: Verse

chapter 13|10 pages

Sor Juana’s love poetry

A woman’s voice in a man’s genre
ByEmilie L. Bergmann

chapter 14|12 pages

Sor Juana’s Romances

Fame, contemplation, and celebration
ByRocío Quispe-Agnoli

chapter 15|12 pages

Philosophical sonnets

Through a baroque lens
ByLuis F. Avilés

chapter 16|13 pages

Primero Sueño

Heresy and knowledge
ByAlessandra Luiselli

part |70 pages

C: Theater and public art

chapter 17|15 pages

Writing for the public eye

Theatrical production, church spectacle, and state-sponsored art (the Neptuno Alegórico)
ByVerónica Grossi

chapter 18|9 pages

Sor Juana as lyricist and musical theorist

ByMario A. Ortiz

chapter 19|13 pages

Loa To El divino Narciso

The costs of critiquing the conquest
ByIvonne del Valle

chapter 20|11 pages

THE AUTOS

Theology on stage
ByLinda Egan

chapter 21|12 pages

Los empeños de una casa

Staging gender
BySusana Hernández Araico

chapter 22|9 pages

La segunda Celestina, a recently discovered play, and Amor es mÁs Laberinto
ByGuillermo Schmidhuber de la Mora

part IV|10 pages

Future directions for research