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Synthesis and Grasp
- On “Through-action”
- Through-Action and Super-Task as a Path to Synthesis
- Stanislavsky’s Searches for a Transition from the Mechanical to the Organic
- The Living “Through-action” Is Indefinable: Once Defined, It Stops Being Itself, and Becomes Something Different
- The Path of “Tasks” (To the Intellectually Willful)
- The Suddenness of the Creative Epiphany: Synthesis
- The Water of Life
- Analysis and Distancing Oneself from the Role
- The Tragic Is Outside of the Emotionally Rational Actors’ Reach: “My Own Flower Pot”: Moscow Art Theatre – Chekhov and Shakespeare
- About the “Head-On” Solution
- Is a Person who Has a Low Level of Emotionality and a Significant Dose of Rationality Capable of Being an Affective Actor?
- The Typical Counterfeit of Affectivity
Abstract
Let’s take the life of any person: you can view it as a chain of accidents, or else you can see in it one whole.
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