ABSTRACT

WINNER OF THE 2019 SOCIETY OF ETHNOMUSICLOGY ELLEN KOSKOFF PRIZE FOR EDITED COLLECTIONS

The Routledge Companion to the Study of Local Musicking provides a reference to how, cross-culturally, musicking constructs locality and how locality is constructed by the musicking that takes place within it, that is, how people engage with ideas of community and place through music. The term "musicking" has gained currency in music studies, and refers to the diverse ways in which people engage with music, regardless of the nature of this engagement. By linking musicking to the local, this book highlights the ways in which musical practices and discourses interact with people’s everyday experiences and understandings of their immediate environment, their connections and commitment to that locality, and the people who exist within it. It explores what makes local musicking "local." By viewing musicking from the perspective of where it takes place, the contributions in this collection engage with debates on the processes of musicking, identity construction, community-building and network formation, competitions and rivalries, place and space making, and local-global dynamics.

chapter |12 pages

Local Musicking

An Introduction

section I|76 pages

Modes of Local Musicking

chapter 2|14 pages

Protestant-Lutheran Choir Singing in Northern Germany

Dimensions of Presentational Musicking in the Local Community

chapter 3|12 pages

Attending Concerts

Local Musicking among Greenlandic Youth

chapter 4|12 pages

Hyperactive Musical Communities On- and Offline

Dancing and Producing Chicago Footwork, Shangaan Electro, and Gqom

chapter 5|11 pages

Community Beyond Locality

Circuits of Transnational Macedonian Romani Music

section II|107 pages

Musicking and the Production of Locality

chapter 7|14 pages

Sounding and Producing Locality

Creating a Locally Distinctive Band Practice in Cape Town

chapter 8|10 pages

Orfeanismo

Local Musicking and the Building of Society in Provincial Portugal

chapter 9|15 pages

“It Gets Better When the People Come to Dance!”

Participatory Music in the Black Community of Campinas

chapter 10|9 pages

Music Contests and Communities

A Small Competition Powwow and a Complex Fiddle Contest

chapter 11|15 pages

Tuning in to Locality

Participatory Musicking at a Community Radio Station

chapter 13|15 pages

Bringing Down the Spirit

Locating Music and Experience Among Nigerian Pentecostal Worshippers in Athens, Greece

section III|96 pages

Pathways to Local Musicking

chapter 15|13 pages

“I am Sorry That We Made you Bleed”

Locality and Apprenticeship among Mande Hunters

chapter 16|12 pages

Child Musicians and Dancers Performing in Sync

Teaching, Learning, and Rehearsing Collectivity in Bali

chapter 17|11 pages

Local Music School Learning and Teaching

A View from Chicago and Beyond

chapter 19|13 pages

Rehearsing Values

Processes of Distinction in the Field Band Foundation of South Africa

chapter 21|14 pages

Pathways to Musicianship

Narratives by People with Blindness

section IV|92 pages

Locality, Musical Connections, and Encounters

chapter 22|11 pages

Borders and the Alma Guarani

Musical Encounters between Paraguay, Argentina, and Mato Grosso do Sul

chapter 23|13 pages

Música Litorânea (Coastal Music)

Musicking Afro-Azorean Encounters in the South of Brazil 1

chapter 24|13 pages

Laughter, Liquor, and Licentiousness

Preservation through Play in Southern Vietnamese Traditional Music

chapter 25|13 pages

Performing the Local

Javanese Gamelan, Institutional Agendas, and “Structures of Feeling” at Southbank Centre, London

section V|102 pages

Musicking Local Frictions

chapter 29|16 pages

Sensing the Street

The Power and Politics of Sound and Aurality in a Northern Australian Rhythmscape

chapter 30|12 pages

Negotiating Local Tastes

Urban Professional Musicians in Athens

chapter 31|12 pages

Listening Low-Cost

Ethnography, the City, and the Tourist Ear

chapter 32|13 pages

Localizing the National

Performing British Identity in Northern Ireland

chapter 34|14 pages

(Re)Presenting Marginality

Place and Musical Thought in Fernando Cabrera’s Song “Ciudad de la Plata”

chapter 35|14 pages

Opening Eyes through Ears

Migrant Africans Musicking in São Paulo

chapter |12 pages

Afterword

The Real Realization of Music-Ritual: Local, Not-Local, and Localized