ABSTRACT

The Routledge Handbook of Shakespeare and Memory introduces this vibrant field of study to students and scholars, whilst defining and extending critical debates in the area. The book begins with a series of "Critical Introductions" offering an overview of memory in particular areas of Shakespeare such as theatre, print culture, visual arts, post-colonial adaptation and new media. These essays both introduce the topic but also explore specific areas such as the way in which Shakespeare’s representation in the visual arts created a national and then a global poet.

The entries then develop into more specific studies of the genre of Shakespeare, with sections on Tragedy, History, Comedy and Poetry, which include insightful readings of specific key plays. The book ends with a state of the art review of the area, charting major contributions to the debate, and illuminating areas for further study. The international range of contributors explore the nature of memory in religious, political, emotional and economic terms which are not only relevant to Shakespearean times, but to the way we think and read now.

chapter |7 pages

Introduction

ByAndrew Hiscock, Lina Perkins Wilder

part I|93 pages

Critical introductions

chapter 1|12 pages

Shakespeare, Memory, and The Early Modern Theatre

ByZackariah Long

chapter 2|11 pages

Shakespeare, Memory, and Print Culture

ByAmanda Watson

chapter 3|12 pages

Shakespeare, Memory and Post-Colonial Adaptation

ByAndrew J. Power

chapter 4|16 pages

Shakespeare, Memory and The Visual Arts

ByShearer West

chapter 5|11 pages

Shakespeare, Memory, Film and Performance

BySarah Hatchuel, Nathalie Vienne-Guerrin

chapter 6|18 pages

Shakespeare, Memory, and New Media

ByRory Loughnane

chapter 7|11 pages

Shakespeare, Memory and Contemporary Performance

Shakespeare in Shoreditch
BySarah Dustagheer

part II|60 pages

Tragedy

chapter 8|11 pages

‘The Raven O’Er The Infectious House’

Contagious memory in Romeo and Juliet and Othello
ByEvelyn Tribble

chapter 9|19 pages

‘Lest We Remember … Our Troy, Our Rome’

Historical and individual memory in Titus Andronicus and Troilus and Cressida
ByJesús Tronch

chapter 10|14 pages

Fooling with Tragic Memory In Hamlet and King Lear

ByKay Stanton

chapter 11|14 pages

Fatal distraction

Eclipses of memory in Julius Caesar and Antony and Cleopatra
ByJonathan Baldo

part III|60 pages

History

chapter 12|15 pages

Handling Memory In The Henriad

Forgetting Falstaff
ByWilliam E. Engel

chapter 13|11 pages

Henry VI to Richard III

Forgetting, foreshadowing, remembering
ByNicholas Grene

chapter 14|17 pages

Rumour’s Household

Truth, memory, fiction, history in 2 Henry IV and All Is True
ByEd Gieskes

chapter 15|15 pages

Cultural Memories of The Legal Repertoire In Richard III And Richard II

Criticizing rites of succession 1
ByAnita Gilman Sherman

part IV|56 pages

Comedy

chapter 18|13 pages

Illyria’s Memorials

Space, memory, and genre in Shakespeare’s Twelfth Night
BySusan Harlan

chapter 19|13 pages

‘Have you forgot your love?’

Material memory and forgetfulness in Love’s Labour’s Lost and Measure for Measure
ByChristine Sukic

part V|33 pages

Poetry

chapter 20|16 pages

‘Suppose Thou Dost Defend Me From What Is Past’

Shakespeare’sVenus and Adonis and The Rape of Lucrece and the appetite for ancient memory
ByAndrew Hiscock

chapter 21|15 pages

Monumental memory and little reminders

The fantasy of being remembered by posterity
ByGrant Williams

part VI|16 pages

Review

chapter 22|14 pages

The State of The Art of Memory and Shakespeare Studies

ByRebeca Helfer