ABSTRACT

This volume is about studies of Shen Congwen (1902–1988), one of the most important writers in modern China, but more importantly, it is about how Shen Congwen has been received in and beyond Mainland China. By presenting the best literary criticism on Shen Congwen in Mainland China over the past 80 years, and views of how Shen Congwen has been understood, interpreted, and appreciated in Japan, the US, and Europe, the editors propose a new way to approach the topics of canonic writers, modern Chinese literature, and world literature.

This is itself a translated project. Its Chinese edition appeared in May 2017. The bilingual rendering of the best criticism of Shen Congwen from a global perspective intends to initiate and advance dialogues between Chinese- and English- language scholarly communities. We strive to explore the complexities of “worldwide” images and interpretations of Shen Congwen. By calling attention to the foreign spaces into which overseas Shen Congwens and modern Chinese literature are reborn as world literature, we acknowledge and celebrate the study of Shen Congwen and modern Chinese literature as ongoing and endless cross-cultural dialogues and manifestations.

part I|26 pages

Biography

chapter 1|24 pages

A Short Biography of Shen Congwen

ByDing Qianhan, Jeffrey C. Kinkley

part II|42 pages

Survey of research on Shen Congwen

chapter 2|15 pages

The Study of Shen Congwen in China

ByYuan Yiyue, Philip F. Williams

chapter 3|7 pages

The Study of Shen Congwen in Japan

ByHisayo Kojima, Hisayo Kojima, Jeffrey C. Kinkley

chapter 4|11 pages

American Shen Congwens

A search for translators
ByZhou Gang

chapter 5|7 pages

The Translation and Reception of Shen Congwen in France and Elsewhere in Europe

ByIsabelle Rabut, Angel Pino

part III|117 pages

Research on Shen Congwen in China

chapter 6|4 pages

Border Town and “Portrait of Eight Steeds”

ByLiu Xiwei, Li Jianwu, Zhou Gang

chapter 7|10 pages

The Loneliness of Shen Congwen

ByWang Zengqi, Eugene Eoyang

chapter 8|13 pages

Looking at Shen Congwen from the Perspective of Cultures in Confrontation

Miao and Han; Chinese and Western
ByLing Yu, Jeffrey C. Kinkley

chapter 9|20 pages

Shen Congwen and Chu Culture

ByLiu Yiyou, Yuan Rongjie

chapter 10|16 pages

Temporal form in Shen Congwen’s Fiction

ByLiu Hongtao, Jingyuan Liu

chapter 11|17 pages

Code Words for Communications Media in Long River

Shen Congwen’s imaginaries of the nation and of the modern
ByWu Xiaodong, Jeffrey C. Kinkley

chapter 12|19 pages

From Enlightenment to the Folk

Border Town
ByChen Sihe, Jeffrey C. Kinkley

chapter 13|16 pages

Shen Congwen and 20th Century China

ByZhang Xinying, Jeffrey C. Kinkley

part IV|111 pages

Research on Shen Congwen outside of China

chapter 14|28 pages

Comparative Research on the Work of Shen Congwen and Nakagami Kenji

ByShiroya Takeo, Paul Bevan

chapter 15|9 pages

“Dreams” and “Reality” in Shen Congwen’s Wartime Works

with special focus on “Dreams and Reality” (1940), “Plucking Stars” (1943), and “Gazing at Rainbows” (1943) 1
ByImaizumi Hideto, Pamela Hunt

chapter 16|25 pages

How Shen Congwen became a “Believer in Music”

Wandering among sensory descriptions in Nightmares of Seven Colors 1
ByTsumori Aki

chapter 18|7 pages

Freud in Hunan

Translating Shen Congwen’s “Xiaoxiao” 1
ByEugene Eoyang

chapter 19|14 pages

The Transformations of Work and Life

On Shen Congwen’s texts of self-explication
ByIsabelle Rabut, Charles A. Laughlin