06411cam a2200337Ii 45000010014000000080041000140200034000550200034000890200030001230240032001530350022001850400026002070500026002330820019002592450121002782640034003993000022004333360021004553370023004763380032004995054126005315201095046576500030057526500021057827000033058037000034058367000032058707000032059027760053059348560086059879781315688251180706s2017    nyu     o     001 0 eng d  a9781315688251q(e-book : PDF)  a9781317420576q(e-book: Mobi)  z9781138918801q(hardback)7 a10.4324/9781315688251 2doi  a(OCoLC)1004350400  aFlBoTFGcFlBoTFGerda 4aPN1993.5.A1bR75 201704a791.4309bR86904aThe Routledge companion to world cinema /cedited by Rob Stone, Paul Cooke, Stephanie Dennison and Alex Marlow-Mann. 1aNew York :bRoutledge,c2017.  a1 online resource  atext2rdacontent  acomputer2rdamedia  aonline resource2rdacarrier00tpart, I Longitude -- tchapter Introduction -- tThe longitude and latitude of World Cinema /r Rob Stone Paul Cooke Stephanie Dennison Alex Marlow-Mann -- tchapter 1 The cinematic and the real in contemporary Chinese cinema /r Yingjin Zhang -- tchapter 2 Southeast Asian independent cinema -- tA World Cinema movement /r Jonathan Driskell -- tchapter 3 Global intimacy and cultural intoxication -- tJapanese and Korean film in the twenty-first century /r Felicity Gee -- tchapter 4 Media refashioning -- tFrom Nollywood to New Nollywood /r Jeffrey Geiger -- tchapter 5 Framing democracy -- tFilm in post-democracy South Africa /r Ian-Malcolm Rijsdijk -- tchapter 6 Brazilian cinema on the global screen /r Stephanie Dennison -- tchapter 7 Transnational filmmaking in South America /r Dolores Tierney -- tchapter 8 Connected in “another way” -- tRepetition, difference and identity in Caribbean cinema /r Dunja Fehimović -- tchapter 9 Women’s (r)evolutions in Mexican cinema /r Niamh Thornton -- tchapter 10 Popular cinema/quality television -- tThe audio-visual sector in Spain /r Paul Julian Smith -- tchapter 11 Contemporary Scandinavian cinema -- tBetween art and commerce /r Olof Hedling -- tchapter 12 British cinemas -- tCritical and historical debates /r James Chapman -- tchapter 13 Developments in Eastern European cinemas since 1989 /r Elżbieta Ostrowska Joanna Rydzewska -- tchapter 14 Cinema at the edges of the European Union -- tNew dynamics in the South and the East /r Lydia Papadimitriou -- tchapter 15 The non/industries of film and the Palestinian emergent film economy /r Viviane Saglier -- tchapter 16 Locations and narrative reorientations in Arab cinemas/World Cinema /r Anne Ciecko -- tchapter 17 The forking paths of Indian cinema -- tRevisiting Hindi films through their regional networks /r Madhuja Mukherjee -- tchapter 18 American indie film and international art cinema -- tPoints of distinction and overlap /r Geoff King -- tchapter 19 Canadian cinema(s) /r Christopher E. Gittings -- tchapter 20 Conventions, preventions and interventions -- tAustralasian cinema since the 1970s /r Jonathan Rayner -- tpart, II Latitude -- tchapter 21 Cinemas of citizens and cinemas of sentiment -- tWorld Cinema in flux /r Rob Stone -- tchapter 22 Transworld cinemas -- tFilm-philosophies for world cinemas’ engagement with world history /r David Martin-Jones -- tchapter 23 Transnational cinema -- tMapping a field of study /r Deborah Shaw -- tchapter 24 “Soft power” and shifting patterns of influence in global film culture /r Paul Cooke -- tchapter 25 Realist cinema as World Cinema 1 /r Lúcia Nagib -- tchapter 26 Regional cinema -- tMicro-mapping and glocalisation /r Alex Marlow-Mann -- tchapter 27 Global women’s cinema /r Kate Ince -- tchapter 28 Provincialising heterosexuality -- tQueer style, World Cinema /r Rosalind Galt Karl Schoonover -- tchapter 29 Stars across borders -- tThe vexed question of stars’ exportability /r Ginette Vincendeau -- tchapter 30 Film Fusions -- tThe cult film in World Cinema /r Mark Goodall -- tchapter 31 Perpetual motion pictures -- tSisyphean burden and the global screen franchise /r James Walters -- tchapter 32 Screening World Cinema at film festivals -- tFestivalisation and (staged) authenticity /r Marijke de Valck -- tchapter 33 Cinephilia goes global -- tLoving cinema in the post-cinematic age /r Belén Vidal -- tchapter 34 Another (hi)story? -- tReinvestigating the relationship between cinema and history /r Vito Zagarrio -- tchapter 35 Archival cinema /r Paolo Cherchi Usai -- tchapter 36 Digital cinemas /r Sean Cubitt -- tchapter 37 Access and power -- tFilm distribution, re-intermediation and piracy /r Virginia Crisp -- tchapter 38 The emerging global screen ecology of social media entertainment /r Stuart Cunningham David Craig -- tchapter 39 Remapping World Cinema through audience research 1 /r Huw D. Jones -- tchapter 40 Eyes on the future -- tWorld Cinema and transnational capacity building /r Mette Hjort.  a"The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world. Each of the forty chapters provides a survey of a topic, explaining why the issue or area is important, and critically discussing the leading views in the area. Designed as a dynamic forum for forty-three world-leading scholars, this companion contains significant expertise and insight and is dedicated to challenging complacent views of hegemonic film cultures and replacing outmoded ideas about production, distribution and reception. It offers both a survey and an investigation into the condition and activity of contemporary filmmaking worldwide, often challenging long-standing categories and weighted--often politically motivated--value judgements, thereby grounding and aligning the reader in an activity of remapping which is designed to prompt rethinking. "--Provided by publisher. 0aMotion picturesxHistory. 0aMotion pictures.1 aCooke, Paul,d1969-eeditor.1 aDennison, Stephanie,eeditor.1 aMarlow-Mann, Alex,eeditor.1 aStone, Rob,d1965-eeditor.08iPrint version: z9781138918801w(DLC) 201702006240uhttps://www.routledgehandbooks.com/doi/10.4324/9781315688251zClick here to view.